In this column: nicknames, stage names, Hip Linkchain, Hound Dog taylor, Keb' Mo', Ronnie Earl, Earl Hooker, Tail Dragger Jones, Dr. Ross, Burn Down Garnett, pianists: professors and barrelhouse, Professor Longhair, Dr. John, Champion Jack Dupree, King Curtis, Fats Domino, Henry Gray, personal note, John Avery Lomax and Ruby Lomax, Parchman Farm
Introduction
Some more stories about blues musicians with nicknames and stage names.
Willie "Hip Linkchain" Richard
Linkchain was an American Chicago blues guitarist, singer and songwriter.
His stage name was in deference to his father's nickname, Linkchain, which was due to his habit of sporting logging chains around his neck, and the boy's childhood nickname, Hipstick (in slang, a really and tall hipster, usually wearing skinny jeans, because of their resemblance to sticks).
By 1959, Linkchain had formed his own band, the Chicago Twisters, with Tyrone Davis as frontman.
Hip Linkchain – Cold chills (Recorded for a French tv channel at the Artesian Lounge in Chicago, 1987)
Theodore Roosevelt "Hound Dog" Taylor
Taylor was an American Chicago blues guitarist and singer.
Taylor had a condition known as polydactylism, which resulted in him having six fingers on both hands. As is usual with the condition, the extra digits were rudimentary nubbins and could not be moved. One night, while drunk, he cut off the extra digit on his right hand using a straight razor.
He was known for his electrified slide guitar playing (roughly styled after that of Elmore James), his cheap Japanese Teisco guitars, and his raucous boogie beats. In 1967, Taylor toured Europe with the American Folk Blues Festival, performing with Little Walter and Koko Taylor.
In 1971 Bruce Iglauer used a $2,500 inheritance to form Alligator Records, which recorded Taylor's debut album, Hound Dog Taylor and the HouseRockers. The album was recorded in just two nights. It was the first release for Alligator, which eventually became a major blues label. Iglauer began managing and booking the band, which toured nationwide and performed with Muddy Waters, Freddie King, and Big Mama Thornton. The band became especially popular in the Boston area, where Taylor inspired the young George Thorogood.
He told writer Bob Neff the way he would like to be remembered: 'He couldn’t play shit, but he sure made it sound good."
Growing up in the Mississippi Delta, his childhood was not an easy one. When he was only 9 years old, his step father supposedly packed up all of his things in a brown paper bag, stood in the doorway with a shotgun, and told Hound Dog to "cut out". That's the way the story goes anyway. From info I've gathered from people who knew him, this story may or may not be true. But he did go to live with his older sister around that time in his life (Randy Meadows).
Hound Dog Taylor – 15 minute LIVE Ann Arbor 1973 Video
Kevin Roosevelt "Keb' Mo'" Moore
Keb' Mo' is an American blues musician. He is a singer, guitarist and songwriter, living in Nashville, Tennessee. He has been described as "a living link to the seminal Delta blues that travelled up the Mississippi River and across the expanse of America.
Quentin Dennard (his original drummer) coined his nickname "Keb' Mo'". It is phonetic spelling of his name Kevin Moore. His record label put that name on his second album Keb' Mo'.
He is very successful and has performed at many festivals all over the world with just as many famous musicians. Including Glastonbury (UK), Crossroads (Eric Clapton). In late 2015, he performed at a special concert hosted by Barack Obama called "A Celebration of American Creativity: In Performance at the White House". It was shot and filmed in the East Room of the White House.
Keb Mo – Old Me Better (Glastonbury 2019)
Keb’ Mo’ – She just wants to dance (Glastonbury Festival 2019)
Ronald Horvath a.k.a. Ronnie Earl
Earl is an American blues guitarist and music instructor.
He joined the band Roomful of Blues and started a solo career in 1986. In 1984, Earl formed his band, The Broadcasters, which released multiple albums over the years. As a four-time Blues Music Award winner for Guitar Player of the Year, Earl has also been an Associate Professor of Guitar at Berklee College of Music and released an instructional video. His band, Ronnie Earl and the Broadcasters, celebrated their 30th anniversary in 2018 and released their 26th studio album, Mercy Me, in 2022.
Playing at the time with blues guitarist and singer Muddy Waters, and in light of the fact that Muddy couldn’t remember his last name when he would call Ronnie up on stage, he changed his last name to “Earl” as a tribute to blues slide guitarist Earl Hooker.
Ronnie Earl and The Broadcasters feat. Jerry Portnoy and Darrell Nulisch – 2nd Annual Allston Blues Festival (mid 1980’s)
Earl Hooker
Earl Zebedee Hooker was a Chicago blues guitarist known for his slide guitar playing. He performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar. He used a short steel slide, which allowed him to switch between slide and fretted playing during a song with greater ease. Part of his slide sound has been attributed to his light touch, a technique he learned from Robert Nighthawk.
Hooker was a flamboyant showman in the style of T-Bone Walker and predated others with a similar approach, such as Guitar Slim and Johnny "Guitar" Watson. He wore flashy clothes and picked the guitar with his teeth or his feet or played it behind his neck or between his legs. He also played a double-neck guitar and experimented with amplification, using echo and tape delay and a wah-wah pedal.
Earl Hooker – Off The Hook (1969)
James Yancey "Tail Dragger" Jones
Tail Dragger was an American Chicago blues singer. He performed beginning in the 1960s and released four albums. Jones gained a certain notoriety in 1993, after being convicted of second-degree murder for the killing of another blues musician, Boston Blackie.
Originally he was known as Crawlin' James, a nickname he acquired from his habit of crawling around on stage while performing. Later on, Howlin' Wolf named him Tail Dragger because Jones often arrived late for gigs.
Tail Dragger – Rooster’s Lounge (2009) P.1 (with Jimmy Dawkins, Rockin’ Johnny, Kevin Shanahan, Martin Lang, Rob Lorenz, Todd Fackler)
Tail Dragger – Rooster’s Lounge P.2 (Live 2009 in Chicago)
Isaiah "Doctor" Ross
Ross was an American blues musician who usually performed as a one-man band, simultaneously singing and playing guitar, harmonica, and drums. During his service in the army, Ross had accrued a collection of army medical books which, along with his habit of carrying his harmonicas in a doctor's bag, earned him the nickname "Doctor Ross."
Dr. Ross the one-man band – Feel so good/Wanna Boogie (American Folk Blues video, 1965)
Roger "Burn Down" Garnett
"Burndown" gets his nickname from the charge on which he was convicted. According to his and Sergeant Connor's story, he was working for a white man who ordered him to lay kindling and spread oil around an outhouse which was insured for $250.00. Neighbors discovered the fire from the smoke. Burndown and his employer set to work to help put out the fire. Burndown was convicted of arson; his white employer's trial was postponed on an insanity plea. Burndown said he knew he oughtn't to do it, but he thought he had to obey his boss.
Burndown was recorded by John Avery Lomax and Ruby Terrill Lomax at State Penitentiary, Camp #10, Parchman, Mississippi in 1939. It was Johns and Ruby's last trip to the Southern United States to make audio recordings for the Library of Congress.
From Lighthouse Blues:
"My faro got teeth like a lighthouse on the sea,
Every time she smiles, the light all over me".
Burn Down Garnett – Lighthouse Blues (American Folk Music – Southern)
Roger “Burn Down” Garnett – The Eaton Clan
The Eaton Clan (Roger 'Burn Down' Garnett)
I'm quite sure you've heard the story
Of that Dry Creek Eaton clan;
God in Heaven knows they're innocent
Of murdering that revenue man.
They were riding home from Booneville,
When they heard to their surprise,
Screaming roars from many a shotgun,
Then they heard his dying cries.
His face was turned towards the Eatons,
He was shot right in the back;
When the sheriff ran to meet him,
He almost died right in his tracks.
Remembering their reputations,
These Eatons ran away to hide,
Knowing that they was innocent,
By others' hands the man had died.
Officers searched* the county over,
Not a sign of them was found;
They called out one hundred soldiers,
Trying to find their hiding ground.
When the soldiers could not find them,
Many a friend was put in jail,
Knowing the Eatons would surrender
When their friends could not make bail.
They are sentenced to the penitentiary
For the rest of their lives,
Leaving their little children,
Their dear old homes and loving wives.
* sung as a portmanteau word (sort of like 'offisearched')
Transcription by Sniff Numachi
"Professor" and "Barrelhouse" pianists
There were two types of local pianists in New Orleans; "professor" pianists and "barrelhouse" pianists. Professors were often classically trained and understood music theory. Barrelhouse pianists were often untrained with little to no background in music theory. They were mostly self-taught and played mostly in a blues style. Barrelhouse pianists were considered semi-professional and played for drinks, food, or tips.
Henry Roeland "Roy" Byrd a.k.a. "Professor Longhair" (or "Fess" for short) was an American singer and pianist who performed New Orleans blues. Longhair's style was known locally as "rumba-boogie".
According to Dr. John, the Professor "put funk into music ... Longhair's thing had a direct bearing I'd say on a large portion of the funk music that evolved in New Orleans." This is the syncopated, but straight subdivision feel of Cuban music. Fess his favorites were: "Tipitina" and "Go to the Mardi Gras".
He began his career in New Orleans in 1948. Mike Tessitore, owner of the Caldonia Club, gave Longhair his stage name.
Professor Longhair & The Meters – Tipitina (1974)
Malcolm John Rebennack Jr. a.k.a. Dr. John
Dr. John was an American singer and songwriter. His music combined New Orleans blues, jazz, funk, and R&B. He typically performed a lively, theatrical stage show inspired by medicine shows, Mardi Gras costumes, and voodoo ceremonies. Rebennack recorded thirty studio albums and nine live albums, as well as contributing to thousands of other musicians' recordings. In 1973, he achieved a top-10 hit single with "Right Place, Wrong Time".
In 1970, when Howard Smith asked him where the name "Dr. John the Night Tripper" came from, he responded, "Before that I was Professor Bizarre. Cats used to call me things like "Bishop" or "Governor" or somethin' but they started callin' me "Doctor" for a while, so I just hung it on myself for keeps."
Dr. John – Right Place, Wrong Time (Guitar Center’s Battle of the Blues 2012)
William Thomas "Champion Jack" Dupree
Dupree was a New Orleans self-taught blues and boogie-woogie pianist (barrelhouse). His nickname was derived from his early career as a boxer.
Many of his songs were about jail, drinking and drug addiction, although he himself was a light drinker and did not use other drugs. His "Junker's Blues" was transmuted by Fats Domino into "The Fat Man", Domino's first hit record.
In 1976 he moved to Copenhagen, where he lived in the anarchist-occupied Freetown Christiania, where he met guitarist Kenn Lending. Dupree and Lending would form a partnership that lasted until Dupree's death in 1992. Dupree recorded with John Mayall, Mick Taylor, Eric Clapton and The Band.
King Curtis & Champion Jack Dupree 1971 “Junker’s Blues” From King Curtis & Champion Jack Dupree Live from Montreux June 17th 1971 with Cornell Dupree on guitar, Jerry Jemmott on bass and Oliver Jackson on drums. Filmed two months before King Curtis’ tragic death.
Antoine Dominique "Fats" Domino Jr.
Fats Domino was an American singer-songwriter and pianist. One of the pioneers of rock and roll music, Domino sold more than 65 million records. barrelhouse,
Billy Diamond nicknamed him "Fats", because Domino reminded him of pianists Fats Waller and Fats Pichon, but also because of his large appetite.
Four of Domino's records were named to the Grammy Hall of Fame for their significance: "Blueberry Hill", "Ain't That a Shame", "Walking to New Orleans" and "The Fat Man". He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986.
Domino was present in the audience of Elvis Presley's first concert at the Las Vegas Hilton on July 31, 1969. At a press conference after the show, when a journalist referred to Presley as "The King", Presley gestured toward Domino, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll." Presley subsequently commented, "Rock 'n' roll was here a long time before I came along. Let's face it: I can't sing like Fats Domino can. I know that." He added that Domino was "a huge influence on me when I started out".
Fats Domino – Walking To New Orleans
Henry Gray
Gray was an American blues piano player and singer born in Kenner, Louisiana. He played for more than seven decades and performed with many artists, including Robert Lockwood Jr., Billy Boy Arnold, Morris Pejoe, the Rolling Stones, Muddy Waters, and Howlin' Wolf. He has more than 58 albums to his credit, including recordings for Chess Records.
He is credited as helping to create the distinctive sound of the Chicago blues piano.
Personal note
In 1993 I met pianist Henry Gray (1925-2020, Louisiana). In those years Wijchen/Arnhem had an annual blues festival and in order to pay the artists they were also offered elsewhere. This was an opportunity for us to play with a blues pianist of his stature. Henry is also a well-known studio musician and I have several of his CDs of him playing (Billy Boy Arnold, Howlin' Wolf, Muddy Waters).
He kept the repertoire simple for us and played in two keys, G and C, so that I could easily read the key from his hands. It was an exuberant performance and Henry had a great time, we had a great time too.
See also the page with notice of his death.